Art Spiegelman’s Pulitzer Prize-winning graphic novel, MAUS, is a milestone when creating a serious cartoon art and breakthrough, its full results are significant and eclectic. Art Spiegelman: The Disaster My Museum followed the creative trading card of funny packages in the early 1960s; Creation of his underground comic book (Bill Griffith) and Raw (with his wife Françoise Moul); Not in the shadow of the towers in the reaction of September 11, inspired by the attacks of the Manhattan home; It is a contradictory cover for New Yorker (1993-2003), which was allowed to unload the magazine’s office; And a public response to the recent ban on the Tennessee School Council. Spiegelman proves the eloquent guide in his provocative work, as well as time friends (Robert Crumb, Gary Panter) and younger cartoons (Joe Scha, Jerry Craft, Molly Crabapple) who inspire Piegelman’s personal traumatic topics.
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